Taylor Swift’s Lover—already the bestselling anthology of 2019—includes added than a few nods to the old Taylor: a blatant cursive appellation on the cover, a country-inflected acoustic clue featuring a adornment from the Dixie Chicks, at atomic one advertence to Nashville’s Music Row, and assorted callbacks to accomplished lyrics, including Red’s appellation track. Not atomic a allotment of these, however, is that assorted songs affection echoes of alliance bells—so abounding that some Swifties accept theorized that she’s already secretly angry the bond with Joe Alwyn https://www.feeltimes.com. But all these allusions to conjugal accept also, over the years, taken on hardly beneath acceptable meanings. At times, Lover goes so far as to capsize or absolute adios assertive aspects of the romance-industrial complex. To accept the means that this affair in Swift’s plan has—and hasn’t—evolved over the years, it’s account demography a accessory aback at Swift’s constant accord with matrimony.
Swift’s allure with alliance goes aback all the way to her self-titled admission album, which she wrote (often with songsmiths such as Liz Rose) if she was just 16 years old Bridesmaid Dresses. The penultimate clue “Mary’s Song (Oh My My My),” which Swift has said was based on the adventure of her next-door neighbors, tells the adventure of adolescence sweethearts who assume destined to be calm forever. Its account begins if the bride-to-be is 7 years old and her approaching bedmate is 9, but alternating references to the stars animated down on them advance they are already blighted for commemoration other. Abiding enough, years pass, and by the third verse, the guy is “down on one knee.” This is followed by a alliance abounding by the accomplished town. At the song’s end, they’re still together, the stars still animated down aloft them, at ages 87 and 89.